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	<title>2019 &#8211; Bozidar Milic</title>
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	<title>2019 &#8211; Bozidar Milic</title>
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		<title>Donatori organizacije nagrade 2019. godine</title>
		<link>https://bozidarmilic.me/2021/11/15/donatori-organizacije-nagrade-2019-godine/</link>
					<comments>https://bozidarmilic.me/2021/11/15/donatori-organizacije-nagrade-2019-godine/#respond</comments>
		
		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Mon, 15 Nov 2021 00:17:48 +0000</pubDate>
				<category><![CDATA[2019]]></category>
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					<description><![CDATA[Donatori organizacije dodele nagrade u 2019. godini njihova podrška je omogućila održavanje ovog događaja Glavni grad Podgorica Vlada Crne GoreMinistarstvo ekologije, prostornog planiranja i urbanizma Skupština Crne Gore Vlada Crne Gore Ministarstvo prosvjete, nauke, kulture i sporta Univerzitet Crne Gore Univerzitet Crne Gore Arhitektonski fakultet Univerzitet Crne Gore Mašinski fakultet Privredna komora Crne Gore GREEN [&#8230;]]]></description>
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					<h4 class="elementor-heading-title elementor-size-default">Donatori organizacije dodele nagrade u 2019. godini</h4>				</div>
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					<h5 class="elementor-heading-title elementor-size-default">njihova podrška je omogućila održavanje ovog događaja</h5>				</div>
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		</section>
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		]]></content:encoded>
					
					<wfw:commentRss>https://bozidarmilic.me/2021/11/15/donatori-organizacije-nagrade-2019-godine/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Žiri za dodjelu nagrada</title>
		<link>https://bozidarmilic.me/2021/11/14/ziri-za-dodjelu-nagrada/</link>
					<comments>https://bozidarmilic.me/2021/11/14/ziri-za-dodjelu-nagrada/#respond</comments>
		
		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:53:55 +0000</pubDate>
				<category><![CDATA[žiri 2019]]></category>
		<guid isPermaLink="false">http://localhost/bmilic/?p=818</guid>

					<description><![CDATA[Žiri za dodjelu nagrade u kategoriji Realizovano djelo i Studentski rad Prof. emeritus Peter Gabrijelčić Jedan od najznačajnijih slovenačkih arhitekata. Diplomirao je 1973. na Arhitektonskom fakultetu Univerziteta u Ljubljani, pod mentorstvom prof. Edvarda Ravnikara. Bio je dekan Arhitektonskog fakulteta u Ljubljani, gdje kao redovni profesor predaje u oblastima urbanizma i arhitekture. Dobitnik je brojnih nagrada [&#8230;]]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="818" class="elementor elementor-818">
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					<h2 class="elementor-heading-title elementor-size-default">Žiri za dodjelu nagrade u kategoriji Realizovano djelo i Studentski rad</h2>				</div>
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					<h2 class="elementor-heading-title elementor-size-default"><a name="peter" />Prof. emeritus Peter Gabrijelčić</h2>				</div>
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									<p><img loading="lazy" decoding="async" class="size-full wp-image-99 alignleft" src="https://bozidarmilic.me/wp-content/uploads/2021/11/RD-01-Gabrijelcic-Peter-197x197-1.jpg" alt="" width="197" height="197" />Jedan od najznačajnijih slovenačkih arhitekata. Diplomirao je 1973. na Arhitektonskom fakultetu Univerziteta u Ljubljani, pod mentorstvom prof. Edvarda Ravnikara. Bio je dekan Arhitektonskog fakulteta u Ljubljani, gdje kao redovni profesor predaje u oblastima urbanizma i arhitekture. Dobitnik je brojnih nagrada kao što su: Borbina nagrada, Prešern Award, Nagrada Salona arhitekture u Beogradu, Nagrada Arhitektonski dogadjaj godine (Beograd, 2011), European Architectural Award u Londonu, Platinum Pencil – nagrada slovenačke Komore zaarhitekturu i prostor.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default"><a name="turato" />Prof. dr sc. Idis Turato</h2>				</div>
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									<p><img loading="lazy" decoding="async" class="size-full wp-image-100 alignleft" src="https://bozidarmilic.me/wp-content/uploads/2021/11/RD-02-Turato-Idis-197x197-1.jpg" alt="" width="197" height="197" />Hrvatski arhitekta i profesor na Arhitektonskom fakultetu u Zagrebu, te gostujući profesor na Arhitektonskim fakultetima u Beogradu, Ljubljani i Splitu. Godine 1992. otvara biro Randić-Turato sa Sašom Randićem, a 2009. g. osniva samostalni ured – Arhitektonski biro Turato. Dobitnik je niza arhitektonskih nagrada; 2005. g. osvojio je nagradu Piranesi Award za projekat Osnovne škole Fran Krsto Frankopan. Njegovi su projekti devet puta bili nominovani za prestižnu evropsku nagradu za arhitekturu Mies van der Rohe Award, a osvojio je sve važnije domaće arhitetonske nagrade: Viktor Kovačić, Drago Galić i Vladimir Nazor. Predstavljao je Hrvatsku na X i XII Venecijanskom bijenalu arhitekture, sa projektom In Between 2006. g. te u saradnji sa petnaest hrvatskih arhitekata 2010. g. sa projektom Pavillion. Dio je tima koji je razvio koncept pobjedničkog programa Luka različitosti – Rijeka europska prijestolnica kulture 2020, te je voditelj jednog od flagshipova unutar projekta Sweet&amp;Salt. Poslednjih pet godina u intezivnom nedeljnom kontinuitetu objavljivao je autorske tekstove, osvrte i komentare prostorno inspiracijske tematike na svom blogu.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default"><a name="koruznjak" />Prof. mr sc. Boris Koružnjak</h2>				</div>
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									<p><img loading="lazy" decoding="async" class="size-full wp-image-101 alignleft" src="https://bozidarmilic.me/wp-content/uploads/2021/11/RD-03-Koruznjak-Boris-197x197-1.jpg" alt="" width="197" height="197" />Hrvatski arhitekta i profesor na Arhitektonskom fakultetu u Zagrebu. Stručno se usavršavao tokom 1989., 1992. i 1993. god. u Beču (ILBAU-G.m.bH) i Štutgartu (Biro Laage&amp;Partner, BiroBehnisch&amp;Partner). Sa Gordanom Domić 1993. god. osniva arhitektonski biro ARK. Vanredni profesor na Arhitektonskom fakultetu u Zagrebu postaje 2007. god., a bio je i dekan od 2011. do 2018. godine. Višestruko je izlagao na autorskim i kolektivnim izložbama, a učestvovao je na stručnim i naučnim skupovima. Uz pedagoški rad, te naučno-istraživački rad koji je usmjeren na istraživanje modela stanovanja za starije te tipskih modela sportskih objekata, autor je i koautor više nagrađivanih rješenja na arhitektonskim konkursima, te realizacija stambenih, poslovnih, zdravstvenih, sportskih i školskih objekata.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Žiri za dodjelu nagrade u kategoriji Kritičko-teorijski tekst</h2>				</div>
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					<h2 class="elementor-heading-title elementor-size-default"><a name="lipovac" />Prof. dr sc. Nenad
Lipovac</h2>				</div>
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									<p><img loading="lazy" decoding="async" class="size-full wp-image-86 alignleft" src="https://bozidarmilic.me/wp-content/uploads/2021/11/Nenad-Lipovac-nova-fotografija.jpg" alt="" width="197" height="197" />Hrvatski arhitekta i profesor na Arhitektonskom fakultetu u Zagrebu. Diplomirao je (1978), magistrirao (1994) i doktorirao (2000) na Arhitektonskom fakultetu Sveučilišta u Zagrebu.</p><p>Dobitnik je Fulbright Visiting Research Award zapostdoktorsko istraživanje na College of Environmental Design UC Berkley, na kojem predaje na novoustanovljenim izbornim kolegijima, a bio je i gostujući profesor na univerzitetima u Crnoj Gori (Arhitektonski fakultet UCG; Fakultet Politehnike UDG) i Meksiku (Universidad Juárez Autónoma de Tabasco; Universidad Popular Autónoma del Estado de Puebla; Anahuac Mayab University; Tecnologico de Monterrey.). Autor je više naučnih knjiga i univerzitetskih udžbenika. Član je uredništva dva međunarodna časopisa, i izlagao je na više od 30 naučnih i stručnih skupova u Hrvatskoj i inostranstvu. Za knjigu Englesko-hrvatski stručni pojmovnik za urbaniste, prostorne planere, arhitekte i krajobrazne arhitekte 2015. god. dobio je Državnu nagradu za znanost u Hrvatskoj.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default"><a name="miletic" /> Ljiljana Miletić Abramović</h2>				</div>
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									<img loading="lazy" decoding="async" class="size-full wp-image-450 alignleft" src="https://bozidarmilic.me/wp-content/uploads/2021/11/KTT-02-Ljiljana-Miletic-Abramovic-197x197-1.jpg" alt="" width="197" height="197" />Srpska istoričarka arhitekture i umjetnosti, kustos – muzejska savjetnica Odsjeka za arhitekturu i direktorica Muzeja primenjene umetnosti u Beogradu od 2011. g. Bavi se istorijom arhitekture XX veka. Kao kustos Odsjeka za arhitekturu Muzeja primenjene umetnosti u Beogradu rukovodi i uređuje Salon arhitekture od 2002. g. Autor je između ostalih i dve studijske izložbe: Paralele i kontrasti – srpska arhitektura 1980-2005 (2007) i Mapiranje identiteta – arhitektura Beograda 1919 – 2015 (2015) u Muzeju primenjene umetnosti. U svojstvu predsjednika Stručnog savjeta / Žirija učestvovala je u organizaciji nacionalnog nastupa Republike Srbije na XIV, XV i XVI Venecijanskom bijenalu arhitekture. U svojstvu komesara učestvovala je u organizaciji nastupa Republike Srbije na Praškom kvadrijenalu 2015. i 2019. g. Sarađivala je na projektima iz istorije srpske arhitekture XX vijeka u Institutu za istoriju umjetnosti Filozofskog fakulteta Univerziteta u Beogradu, Institutu za arhitekturu i urbanizam Srbije,Urbanističkom zavodu grada Beograda. Učestvovala je na međunarodnim naučnim konferencijama i održala veći broj javnih predavanja iz oblasti srpske arhitekture novijeg doba. Autor je većeg broja naučnih i stručnih radova iz istorije arhitekture XX vijeka, između ostalih i zapaženih monografija (nasrpskomiengleskom): Arhitektura rezidencija i vila Beograda 1830-2000 (Beograd, 2002) i Paralele i kontrasti – srpska arhitektura 1980-2005 (Beograd, 2007). Član je u stručnim i strukovnim udruženjima (Docomomo, ICOM, ULUPUDS).Dobitnica je više nagrada i priznanja.								</div>
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					<h2 class="elementor-heading-title elementor-size-default"><a name="mrduljas" /> dr.sci. Maroje Mrduljaš</h2>				</div>
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					<h2 class="elementor-heading-title elementor-size-default">Nagrađeni radovi u 2019. godini</h2>				</div>
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									<p>U kategoriji Kritičko-teorijski tekst</p><p><em><strong><a href="https://bozidarmilic.me/2021/11/14/arhitektura-i-urbanizam-niksica-nakon-drugog-svjetskog-rata/" data-wplink-url-error="true">Arhitektura i urbanizam Nikšića nakon Drugog svjetskog rata</a></strong></em></p><hr /><p>U kategoriji Realizovan djelo</p><p><strong><em><a href="https://bozidarmilic.me/2021/11/14/centar-mjesne-zajednice-gosici-u-tivtu/" data-wplink-url-error="true">Centar mjesne zajednice Gošići u Tivtu</a></em></strong></p><hr /><p>U kategoriji Studentski rad</p><p><strong><em>House 100: Post-War Housing, Syria</em></strong></p><p align="right"><a href="http://localhost/bozidarmilic/dodela-nagrade/">Opširnije</a></p>								</div>
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									<img loading="lazy" decoding="async" class="size-full wp-image-454 alignleft" src="https://bozidarmilic.me/wp-content/uploads/2021/11/KTT-03-Mrduljas-Maroje.jpg" alt="" width="197" height="197" />Hrvatski arhitekta, kritičar i kustos. Autor je i urednik više knjiga i publikacija, između ostalih Lifting the Curtain – Central European Architecture Networks, Transcending Oppositions / Tadao Ando’sRecent Works, Modernism-in-Between, Unfinished  Modernizations  – Between Utopia andPragmatism, Dizajn i nezavisna kultura i Suvremena hrvatska arhitektura – testiranjestvarnosti. Glavni je i odgovorni urednik časopisa za arhitekturu i kulturu Oris. Bio je kustos ili član kustoskih timova više velikih izložbi: 1960-te u Hrvatskoj (Muzej primijenjene umjetnosti, Zagreb), 3LHD-Interkacije (Muzej suvremene umjetnosti, Zagreb), Lifting the Curtain – Central European Architecture Networks (Bijenale arhitekture u Veneciji 2014), Unfinished Modernisations – Between Utopia andPragmatism (Umetnostna galerija Maribor), Architecture as Landscape (London Festival of Architecture 2010), Balkanology (Swiss Architecture Museum Basel,Architekturzentrum Wien), Continuity of Modernity (Architektur im Ringturm Wien) i drugih. Koautor je dvije sezone dokumentarne elevizijske serije Betonski spavači (HRT).Kao predavač i kritičar gostovao je na univerzitetima u inostranstvu, i nezavisni je ekspert Mies van der Rohe Award – Nagrade Evropske unije za za arhitekturu, te članekspertnog odbora Nagrade EU za Urbani javni prostor. Dobitnik je četiri nagrade Neven Šegvić Udruženja hrvatskih arhitekata za kritički i teorijski rad (2016, 2015, 2012, 2007).								</div>
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		<title>Pristup izradi planskog dokumenta – Učešće javnosti u planiranju Bloka 5 u Podgorici</title>
		<link>https://bozidarmilic.me/2021/11/14/pristup-izradi-planskog-dokumenta-ucesce-javnosti-u-planiranju-bloka-5-u-podgorici/</link>
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		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:51:31 +0000</pubDate>
				<category><![CDATA[Kritičko-teorijski tekst - 2019]]></category>
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					<description><![CDATA[Kategorija: Kritičko teorijski tekst Autor: Milica Vujošević, Jelena Rabrenović, Sonja Dragović Saradnik: Ivan Jovićević Naslov: Pristup izradi planskog dokumenta – Učešće javnosti u planiranju Bloka 5 u Podgorici  izdavač: Nevladino udruženje KANA / ko ako ne arhitekt Godina objavljivanja: 2017. Opis rada Knjiga je nastala kao rezultat projekta „I ti se pitaš: Planiranje po mjeri građana”, [&#8230;]]]></description>
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									<p>Kategorija: <strong>Kritičko teorijski tekst</strong></p><p>Autor: <strong>Milica Vujošević, Jelena Rabrenović, Sonja Dragović</strong></p><p>Saradnik: <strong>Ivan Jovićević</strong></p><p>Naslov:<em><strong> Pristup izradi planskog dokumenta – Učešće javnosti u planiranju Bloka 5 u Podgorici </strong></em></p><p>izdavač: <strong>Nevladino udruženje KANA / ko ako ne arhitekt</strong></p><p>Godina objavljivanja: <strong>2017.</strong></p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Opis rada</h2>				</div>
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									<img loading="lazy" decoding="async" class="alignleft wp-image-659" src="https://bozidarmilic.me/wp-content/uploads/2021/11/Blok5-Podgorica.jpg" alt="" width="350" height="255" />Knjiga je nastala kao rezultat projekta „I ti se pitaš: Planiranje po mjeri građana”, koji je KANA / ko ako ne arhitekt realizovala u Podgorici, na teritoriji mjesne zajednice Blok 5, tokom 2016. i 2017. godine.

Knjiga sadrži vrijedne rezultate istraživanja nastalog tokom ovog projekta, koji je imao za cilj da podigne svijest građana i arhitektonsko-urbanističke struke o javnom interesu i da podstakne njihovo aktivno učešće u procesima izrade planske dokumentacije. Povod za realizaciju projekta bila je mogućnost izgradnje solitera i susjednih objekata na uglu Bulevara Mihajla Lalića i Bulevara Džordža Vašingtona u Podgorici, koja je data Detaljnim urbanističkim planovima za Blok 5 iz 2010. i 2012. godine. Problem izgradnje pomenutih objekata je u narušavanju urbanistički i arhitektonski zaokružene i vrijedne cjeline Bloka 5 &#8211; rješenjem koje se kosi sa stavovima relevatnih predstavnika struke, javnim interesima, kao i sa interesima zajednice koja ovaj prostor doživljava kao svoj.

Ova publikacija struktuirana je u šest poglavlja koji vode čitaoca od nastanka Bloka 5 &#8211; kroz analizu prvobitnog urbanističkog rješenja arh. Vukote Tupe Vukotića, nastalog 1976. godine, i razgovor sa autorom arhitektonskog rješenja stambenih zgrada, arh. Miletom Bojovićem; preko kritičke analize planova u kojima su ucrtani novi objeki. Predstavljen je teorijski pregled najznačajnijih pristupa planiranju i donošenju odluka od 1945. godine do danas, kao i primjeri participativnog urbanizma, koji se sve češće ispoljavaju u virtuelnom prostoru. To je bio i ovdje slučaj, jer su autori knjige aktivirali javnost i pokušali da je uključe u proces planiranja, jer je proces izrade novog plana bio u toku. Sprovedena je opsežna anketa, čiji su rezultati analizirani u knjizi. Na kraju, uz još jednu analizu postojećih i željenih linija pješačkog kretanja u Bloku 5, izvedeni su zaključci, koji su predočeni javnosti i ostalim učesnicima u procesu planiranja.

Ova publikacija predstavlja kritičku analizu stanja na terenu, važećih planova i samog procesa planiranja, i ima vrijednost u smislu prepoznavanja i očuvanja kvaliteta Bloka 5, kao jedinstvene i zaokružene urbanističko-arhitektonske cjeline koja i danas predstavlja jedan od najkvalitetnijih prostora za život u Podgorici								</div>
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		<title>Pogled na crnogorsku arhitekturu 20. i 21. stoljeća</title>
		<link>https://bozidarmilic.me/2021/11/14/pogled-na-crnogorsku-arhitekturu-20-i-21-stoljeca/</link>
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		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:50:00 +0000</pubDate>
				<category><![CDATA[Kritičko-teorijski tekst - 2019]]></category>
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					<description><![CDATA[Kategorija: Kritičko teorijski tekst Autor: Miodrag Bajković Naslov: Pogled na crnogorsku arhitekturu 20. i 21. stoljeća Objavljeno u časopisu za kulturu, umjetnost i društvena pitanja „Gledišta” (br. 1, str, 28 i 29, prvi dio) i u dnevnom listu „Pobjeda” (od 21. do 25. 02. 2019.)kao i na portalima „Antena M” i „Zrcalo.me” Opis rada Znajući da [&#8230;]]]></description>
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									<p>Kategorija: <strong>Kritičko teorijski tekst</strong></p><p>Autor: <strong>Miodrag Bajković</strong></p><p>Naslov: <strong>Pogled na crnogorsku arhitekturu 20. i 21. stoljeća</strong></p><p>Objavljeno u <strong>časopisu za kulturu, umjetnost i društvena pitanja „Gledišta</strong>” (br. 1, str, 28 i 29, prvi dio) i <strong>u dnevnom listu „Pobjeda”</strong> (od 21. do 25. 02. 2019.)kao i na portalima „Antena M” i „Zrcalo.me”</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Opis rada</h2>				</div>
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									<p>Znajući da se o arhitekturi na tlu Crne Gore u periodu  20. stoljeca,  doticno  sa potonje skoro  dvije decenije  21. &#8211; pisalo samo  u fragmentima (primjerice radi):  o arhitektiri u doba  kralja  Nikole, o  kući Vukotica,  o  pojedinim  autorima, periodima   i/ili  tipovima zgrada, itd., i- da nikad nijedan  rad nije objavljen sa sveobuhvatnim analitickim osvrtom za cijeli spomenuti period- odlucio sam da to licno uradim.</p><p>Cilj mi  je bio  da  nakon  konstatacije na  kakvoj  vernakularnoj i sakralnoj   arhitekturi &#8220;pociva&#8221; crnogorska arhitektura predmetnog perioda- za periode:  prije Prvog svjetskog rata,  pomedu  svjetskih  ratova,  nakon  1945.  i sve  do  2018.  istaknem  sva,  po  mojem mišljenju, najznacajnija  arhitektonska djela  u Crnoj Gori, uz uporedni stav  gledano  na svjetsku, YU i EX-YU arhitekturu u doba moderne, postmoderne i danas.</p><p>Pišući  tekst  sam  analizom  fasada  dosao  do  zakljucka  da  arhitektura izuzetne  &#8220;Kuce Vukotica&#8221; nije samo  &#8211; kubizam,  niti  je samo  &#8211; eklekticizam  u pitanju  (kako su do sada isključivi bili razni autori), vee da njenu  arhitekturu karakteriSu  oba stila, uz elemente secesije u ornamentici- sto se po prvi put tvrdi.Takode, dosao sam do odgovora zasto je nasa arhitektura od 1950. do 1990. bila na evropskom nivou. Istrazivanje me je dovelo i do konstatacije da smo i zasto smo potonju deceniju 20. stoljeca uglavnom &#8220;potrosili&#8221; na opoznjeli post-modernizam, iako je tada vee arhitektura po svijetu &#8220;grabila&#8221; sa drugacijom i ka novoj likovnosti fasada. Naveo sam više razloga i pokusao odgonetnuti zasto u proteklih 18 godina 21. stoljeca nedovoljno uspjesno pratimo savremenu arhitekturu.</p><p>Tekst sadrzi: teorijsko-kriticki osvrt i na svjetsku arhitekturu, pitanje &#8220;pozitivne&#8221; inspiracije, plagijata, kao i moje videnje iii definiciju &#8220;smjene&#8221; stilova u arhitekturi.</p>								</div>
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		<title>Arhitektura i urbanizam Nikšića nakon Drugog svjetskog rata</title>
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		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:48:28 +0000</pubDate>
				<category><![CDATA[Kritičko-teorijski tekst - 2019]]></category>
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					<description><![CDATA[Nagrađeno djelo za 2019. godinu u kategoriji Kritičko teorijski tekst Kategorija: Kritičko teorijski tekst Autor: dr Vladimir Bojković Naslov: Arhitektura i urbanizam Nikšića nakon Drugog svjetskog rata Izdavač: Zadužbina Andrejević, Beograd Godina objavljivanja: 2019. Opis rada Monografija „Arhitektura i urbanizam Nikšića nakon Drugog svjetskog rata“ donosi prikaz urbanističkih planova i građevina nekih od najznačajnijih jugoslovenskih i [&#8230;]]]></description>
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									<h2>Nagrađeno djelo</h2>								</div>
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									<h2>za 2019. godinu</h2>								</div>
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									<h5>u kategoriji Kritičko teorijski tekst</h5>								</div>
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									<p>Kategorija: <strong>Kritičko teorijski tekst</strong></p><p>Autor: <strong>dr Vladimir Bojković</strong></p><p>Naslov: <strong>Arhitektura i urbanizam Nikšića nakon Drugog svjetskog rata</strong></p><p>Izdavač: <strong>Zadužbina Andrejević, Beograd</strong></p><p>Godina objavljivanja: <strong>2019</strong>.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Opis rada</h2>				</div>
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									<p>Monografija „Arhitektura i urbanizam Nikšića nakon Drugog svjetskog rata“ donosi prikaz urbanističkih planova i građevina nekih od najznačajnijih jugoslovenskih i crnogorskih arhitekti koji su oblikovali Nikšić. Većina planova i objekat a predstavljena je po prvi put.</p><p>U kontekstu urbanističkih planova, predstavljen je urbanistički plan braće Stojanović (1952), plan profesora Josipa Seissela (1958), potom pobjedničko rešenje Feđe Košira za uređenje Trga maršala Tita (1971), Generalni urbani s t i č k i plan (1986) i urbanističko rešenje Trga Save Kovačevića (1961), arhitekte dr Ratibora Đorđevića.</p><p>Rad istražuje kako je otvaranje Željezare „Boris Kidrič“ uticalo na urbano oblikovanje grada, pojavom radničkih naselja.</p><p>U kontekstu arhitektonskih o stvarenja predstavljene su građevine prvog školovanog crnogorskog arhitekte Periše Vukotića (1899-19 8 8 ) i poznatog srpskog arhitekte Rajka M. Tatića (1900 –1979). Dat je prikaz zgrade „Meander“ (1958), građevine jedinstvenog oblika, čuvenog hrvatskog arhitek t e Bruna Milića (1917 –2009). Po prvi put je prikazan i jedan od najljepših primjera brutalizma na prostoru Nikšića i Crne Gore, Dom zdravlja (1972) arhitekte Dušana Dude Popovića.</p><p>U izučavanju arhitekture Nikšića nezaobilazan je opus arhitekti Đorđija Minjevića (1924–2013) i Slobodana Vukajlovića (1934 –2006) čija su najznačajnija ostvarenja predstavljena u monografiji.</p><p>Posebno poglavlje je posvećeno objektu „Dom revolucije“ (1977) arhitekte Marka Mušiča (1941) a po prvi put se kroz originalne konkursne crteže daje prikaz hotela „Onogošt“ (1977 –1982), autora Ivana i Tihomira Štrausa.</p><p>Monografija se završava predstavljanjem, takođe po prvi put, objekta Instituta crne metalurgije (1979 –1984) bosanskih arhitekti Izeta Galičića (1931-20 1 1 ) Mehmeda Hrasnice (19 53–2013) i Šefkije Drece (1931).</p>								</div>
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		<title>Slobodan Vukajlović – Grotta Regina: Logičan dodatak duhu mjesta</title>
		<link>https://bozidarmilic.me/2021/11/14/slobodan-vukajlovic-grotta-regina-logican-dodatak-duhu-mjesta/</link>
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		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:47:02 +0000</pubDate>
				<category><![CDATA[Kritičko-teorijski tekst - 2019]]></category>
		<guid isPermaLink="false">http://localhost/bmilic/?p=798</guid>

					<description><![CDATA[Kategorija: Kritičko teorijski tekst Autor: dr Vladimir Bojković Naslov: Slobodan Vukajlović – Grotta Regina: Logičan dodatak duhu mjesta Objavljeno u časopisu Inženjerske komore Crne Gore – POGLED Godina objavljivanja: 2018. Opis rada Slobodan Vukajlović je jedini crnogorski arhitekta koji je projektovao i sagradio građevinu u Italiji. Članak „Grotta Regina, logičan dodatak duhu mjesta“ obajvljen u strukovnom [&#8230;]]]></description>
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									<p>Kategorija: <strong>Kritičko teorijski tekst</strong></p><p>Autor: <strong>dr Vladimir Bojković</strong></p><p>Naslov:<em><strong> Slobodan Vukajlović – Grotta Regina: Logičan dodatak duhu mjesta</strong></em></p><p>Objavljeno u<strong> časopisu Inženjerske komore Crne Gore – POGLED</strong></p><p>Godina objavljivanja: <strong>2018</strong>.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Opis rada</h2>				</div>
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									<p>Slobodan Vukajlović je jedini crnogorski arhitekta koji je projektovao i sagradio građevinu u Italiji.</p><p>Članak „Grotta Regina, logičan dodatak duhu mjesta“ obajvljen u strukovnom časopisu Pogled br 29, a koji izdaje Inženjerska komora Crne Gore, po prvi put daje prikaz široj i stručnoj javnosti objekt motela koji je arhitekta Vukajlović sagradio u mjestu Torre a Mare u blizini Barija, regija Pulja. Specifično rešenje objekta u pogledu enterijere i eksterijera pokazalo je umješnest arhitekte Vukajlovića da u posebnom ambijentu sagradi arhitekturu kao logičan dodatak duhu mjesta.</p>								</div>
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		<title>The Meander Building by Architect Bruno Milić: The beginning of Modernism in the City of  Nikšić</title>
		<link>https://bozidarmilic.me/2021/11/14/the-meander-building-by-architect-bruno-milic-the-beginning-of-modernism-in-the-city-of-niksic/</link>
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		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:44:28 +0000</pubDate>
				<category><![CDATA[Kritičko-teorijski tekst - 2019]]></category>
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					<description><![CDATA[Kategorija: Kritičko teorijski tekst Autor: dr Vladimir Bojković Naslov: The Meander Building by Architect Bruno Milić: The beginning of Modernism in the City of  Nikšić Objavljeno u Znanstvenom časopisu za arhitekturu i urbanizam – PROSTOR Godina objavljivanja: 2018. Opis rada Jedno od manje poznatih djela i jedino koje je projektovao u Crnoj Gori, zgrada Meander [&#8230;]]]></description>
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									<p>Kategorija: <strong>Kritičko teorijski tekst</strong></p><p>Autor: <strong>dr Vladimir Bojković</strong></p><p>Naslov:<em><strong> The Meander Building by Architect Bruno Milić: The beginning of Modernism in the City of  Nikšić</strong></em></p><p>Objavljeno u <strong>Znanstvenom časopisu za arhitekturu i urbanizam – PROSTOR</strong></p><p>Godina objavljivanja: <strong>2018</strong>.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Opis rada</h2>				</div>
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									<p>Jedno od manje poznatih djela i jedino koje je projektovao u Crnoj Gori, zgrada Meander hrvatskog arhitekte Bruna Milića, po prvi put je predstavljena u radu “The Meander Building by Architect Bruno Milić; The Beginning of Modernism in the City of Nikšić” objavljenom u Znanstevnom časopisu Prostor broj 26 iz 2018.</p><p>Jedna od prvih zgrada kolektivnog stanovanja u Nikšiću ističe se karakterističnom formom, izlomljenom strukturom koja podsjeća na meander, krivudavi tok rijeke. Arhitekta Milić nije slučajno osmislio ovakvu formu zgrade. Upravo suprotno, oblik zgrade najvj erovatnije je proizišao iz analize nekoliko činilaca. Prvi se odnosi na potrebu osiguranja dovoljnog broja udobnih stanova. U strukturi stanova postoje dvosobni i jednosobni. Arhitekta Milić je predvidio manji broj zajedničkih prostora u vidu širokih ulaznih holova i zajedničkih spremišnih prostora. Drugi važan činilac u oblikovanju jeste pozicija zgrade. U novom gradskom bloku, u kojem do tada nije bilo arhitektonski značajnijih zgrada, Milić projektuje zgradu koja je postala dominantan element prostornog identiteta, simbol napretka i novih tendencija u razvoju grada. Treći činilac koji je uticao na oblik zgrade je referenca na postojeću arhitekturu u gradu, izgraðenu na temelju smjernica iz Prvog regulacionog plana. Čini se da je arhitekta MIlić preuzeo kara kterističan element arhitekture grada &#8211; kao što je ‘portun’. Na zgradi Meander taj je prolaz smješten na središnjem dijelu i povezuje unutrašnje dvorište zgrade s javnim pješačkim dijelom bulevara čime je veza sa prošlošću i prostorni kontinuitet gradske arhitekture ostvaren na nov i vremenu prilagođen način.</p>								</div>
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		<title>Projekti Ivana Meštrovića i Harolda Bilinića na Lovćenu u tadašnjem političkom i ideološkom kontekstu</title>
		<link>https://bozidarmilic.me/2021/11/14/projekti-ivana-mestrovica-i-harolda-bilinica-na-lovcenu-u-tadasnjem-politickom-i-ideoloskom-kontekstu/</link>
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		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:43:10 +0000</pubDate>
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					<description><![CDATA[Kategorija: Kritičko teorijski tekst Autor: doc. dr Dragan Komatina, dia; MSc Ema Alihodžić Jašarović Naslov: Projekti Ivana Meštrovića i Harolda Bilinića na Lovćenu u tadašnjem političkom i ideološkom kontekstu Objavljeno u: Znanstveni časopis za arhitekturu i urbanizam – PROSTOR Godina objavljivanja: 2018. Opis rada Rad kronološki identificira promjene u političkom i identitetskom smislu koje su [&#8230;]]]></description>
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									<p>Kategorija: <strong>Kritičko teorijski tekst</strong></p><p>Autor: <strong>doc. dr Dragan Komatina, dia; MSc Ema Alihodžić Jašarović</strong></p><p>Naslov:<em><strong> Projekti Ivana Meštrovića i Harolda Bilinića na Lovćenu u tadašnjem političkom i ideološkom kontekstu</strong></em></p><p>Objavljeno u: <strong>Znanstveni časopis za arhitekturu i urbanizam – PROSTOR</strong></p><p>Godina objavljivanja: <strong>2018</strong>.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Opis rada</h2>				</div>
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									<img loading="lazy" decoding="async" class="wp-image-712 alignright" src="https://bozidarmilic.me/wp-content/uploads/2021/11/rad-lovcen.png" alt="" width="350" height="255" />Rad kronološki identificira promjene u političkom i identitetskom smislu koje su utjecale na arhitektonske koncepte na području povijesno važnog lokaliteta Lovćena, a koji su ostavili vrlo autentičan arhitektonski izraz iz razdoblja od 19. stoljeća do danas, mijenjajući svoj oblik, funkciju i simbolizam. Rad istražuje četiri povijesna i arhitektonska ciklusa, s naglaskom na umjetnički diskurs Ivana Meštrovića i Harolda Bilinića.								</div>
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		<title>Nova saznanja o tvrđavi Svetog Krsta u Perastu</title>
		<link>https://bozidarmilic.me/2021/11/14/nova-saznanja-o-tvrdavi-svetog-krsta-u-perastu/</link>
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		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:41:18 +0000</pubDate>
				<category><![CDATA[Kritičko-teorijski tekst - 2019]]></category>
		<guid isPermaLink="false">http://localhost/bmilic/?p=782</guid>

					<description><![CDATA[Kategorija: Kritičko teorijski tekst Autor: Marija Novaković i Milica Samardžić Naslov: Nova saznanja o tvrđavi Svetog Krsta u Perastu Objavljeno u: Boka, 38. Zbornik radova iz nauke, kulture i umjetnosti Godina objavljivanja: 2018. Opis rada Peraska tvrdava u narodu poznata kao kastel ili forteca Svetog Krsta podignuta je na najvišoj tacki grada, zaravni u podnozju [&#8230;]]]></description>
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									<p>Kategorija: Kritičko teorijski tekst</p><p>Autor: <strong>Marija Novaković i Milica Samardžić</strong></p><p>Naslov:<em><strong> Nova saznanja o tvrđavi Svetog Krsta u Perastu</strong></em></p><p>Objavljeno u: <strong>Boka, 38. Zbornik radova iz nauke, kulture i umjetnosti</strong></p><p>Godina objavljivanja: <strong>2018</strong>.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Opis rada</h2>				</div>
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				<div class="elementor-element elementor-element-0ee7f24 elementor-widget elementor-widget-text-editor" data-id="0ee7f24" data-element_type="widget" data-widget_type="text-editor.default">
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									<p><img loading="lazy" decoding="async" class="size-full wp-image-211 alignright" src="https://bozidarmilic.me/wp-content/uploads/2021/11/Tvrdjava-SvKrsta-nas.png" alt="" width="300" height="200" />Peraska tvrdava u narodu poznata kao kastel ili forteca Svetog Krsta podignuta je na najvišoj tacki grada, zaravni u podnozju brda ranije nazivanog Kasun. Na istom mjestu od davnina je postojala crkva za koju se u ceremonijalu opstine iz 17 43. godine navodi da je najstarija koju su sami Perastani podigli.</p><p>Stanovnicima Perasta nikada nije poslo za rukom da grad zastite bedemima, umjesto toga razvili su mrezu odbrane sacinjenu od kula, utvrdenih stambenih objekata i manjih isturenih osmatracnica. Ovaj sistem krunisan je pocetkom XVII vijeka, izgradnjom tvrdave Sv. Krsta na uzviSenju koje dominira gradom. Izolovani i su skromni ostaci nekih starijih zidova iz perioda Mletacke vladavine, medutim postoje indicije da kontinuitet utvrdivanja na ovom mjestu seze vjekovima unazad.</p><p>Uprkos brojnim intervencijama i dugoj zapustenosti tvrdava nije dozivjela znacajnija ostecenja, njena autenticnost i integritet ocuvani su u velikoj mjeri. Prva detaljna arhivska, arheoloska i arhitektonska istrazivanja na lokalitetu Sv. Krsta rezultirala su relativnom hronologijom gradnje i stilskom analizom kompleksa. Izdiferencirane su kljucne faze gradnje i modifikacija, a sakupljeni su i podaci o nacinu na koji je tvrdava funkcionisala. Potvrdeno je postojanje crkve Svetog Krsta po kojoj je tvrdava dobila ime, medutim nisu pronadeni pouzdani izvori o vremenu njene izgradnje.</p><p>Pronalazak zaravnatih stijena kao i izolovane zone poplocanja orjentisane nezavisno od tvrdave ukazuje na objekat koji joj prethodi. Poklapanje tragova na terenu sa polozajem crkve u austrijskim planovima sa pocetka XIX vijeka ne ostavlja mjesta sumnji da se radi upravo o nestaloj crkvi. Istrazivanja pokazuju da je crkva razgradena pocetkom XIX vijeka a kamen iskoriscen za dalju gradnju na lokalitetu.</p>								</div>
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		<title>Arhitektonska komunikacija: objekti kulture u Crnoj Gori 1945–2000</title>
		<link>https://bozidarmilic.me/2021/11/14/arhitektonska-komunikacija-objekti-kulture-u-crnoj-gori-1945-2000/</link>
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		<dc:creator><![CDATA[K S]]></dc:creator>
		<pubDate>Sun, 14 Nov 2021 23:39:23 +0000</pubDate>
				<category><![CDATA[Kritičko-teorijski tekst - 2019]]></category>
		<guid isPermaLink="false">http://localhost/bmilic/?p=777</guid>

					<description><![CDATA[Kategorija: Kritičko teorijski tekst Autor: Slavica Stamatović Vučković Naslov: Arhitektonska komunikacija: objekti kulture u Crnoj Gori 1945–2000 Izdavač: Univerzitet Crne Gore Godina objavljivanja: 2018. Opis rada U knjizi &#8220;Arhitektonska komunikacija: objekti kulture u Crnoj Gori 1945-2000&#8221; prikazan je složen fenomen arhitektonske komunikacije kroz analizu objekata kulture u Crnoj Gori. Razumijevanje arhitektonske komunikacije odnosno arhitekture kao [&#8230;]]]></description>
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									<p>Kategorija: <strong>Kritičko teorijski tekst</strong></p><p>Autor: <strong>Slavica Stamatović Vučković</strong></p><p>Naslov:<em><strong> Arhitektonska komunikacija: objekti kulture u Crnoj Gori 1945–2000</strong></em></p><p>Izdavač: <strong>Univerzitet Crne Gore</strong></p><p>Godina objavljivanja: <strong>2018</strong>.</p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">Opis rada</h2>				</div>
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									<img loading="lazy" decoding="async" class="alignleft wp-image-743" src="https://bozidarmilic.me/wp-content/uploads/2021/11/ObjektiKulture-nasl.jpg" alt="" width="250" height="274" />U knjizi &#8220;Arhitektonska komunikacija: objekti kulture u Crnoj Gori 1945-2000&#8221; prikazan je složen fenomen arhitektonske komunikacije kroz analizu objekata kulture u Crnoj Gori. Razumijevanje arhitektonske komunikacije odnosno arhitekture kao sredstva komunikacije dato je kroz definisani model &#8220;odnosa&#8221; koje arhitektonski objekat uspostavlja i to sa: kontekstom (društvenim i fizičkim), korisnicima (upotreba arhitekture) i autorom/arhitektom (arhitektura kao proces prenošenja znanja). Na ovako definisanom teorijskom polazištu je bazirana analiza i prezentacija 27 objekata kulture (domova kulture, bioskopa, spomen-domova, domova revolucije, umjetničkih galerija, domova omladine, pozorišta i domova JNA) koji su na teritoriji Crne Gore izgradjeni nakon Drugog svjetskog rata, u vrijeme SFRJ.

U knjizi se, između ostalog, prikazuje i značajna arhivska gradja (državnih arhiva i privatnih kolekcija) tj. projekti, fotografije i periodika vezani za ovu vrstu arhitektonskih objekata kao i društvenopolitički kontekst u kome su nastajali.								</div>
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